See art, take a dip, network, Drink freddo cappuccino, and then go one dip. That is the artistic information, the Mediterranean way – which sun-drawn islands are offered in London, Paris, New York, Dubai or Singapore.
Akis Kokkinos, the Preserver of the Shower “Wake a Garden” at Karavas Estate on the Greek Island of Chios, well knowing this. He was born in Athens, he, such as the Curtors and many Greek musicians, felt that the capital city would be the next step. During the epidemic, he began dreaming about a little life and peaceful life in the countryside. But unlike most of us dreaming down but quickly returned to our speedy lives after the opening of the earth, he actually followed the pressure.
It is now five years since it developed Do, only the arts only in the not-touristy’s Chios (Nina’s birth), and kicked a variety of programs. “Since I stayed here, I felt unacceptable for a MAD event in a few days and move on to another place,” a talent bench with halucinogenic plench. He adds: “People see me here, thank my work,” notes that the reason why he is the result of his divine fulfillment.
The campuses, pocket part of the Chios where the show takes place this year, time seems to be stopped. You might be a century ago, and those high lemestone brick walls that offer everywhere a different color. Most districts are fenced on the wall, constructed in this way in line with the customs of building geos and Ottomans.
CitTrus Trees and Mattic Symptoms Some of the Mrangle, On the Most Survivor Island of Exclusions There are tourism, whether the cyclade begins to change, five or ten years will be about the Aegean Islands: Chios, Samos, Lesbos. “
The DOO foundation is not a speedy tourist but rather we draw a combination of tourists from international community and local parties series, public commissioners and public services – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions – education institutions.
At the bitch, Akis (the highest pants, Dior glasses and designer bag) opening the Greek paper, covering the exhibition Three, indicating how well the island art. While being carefully organized by high arts of the Gillman Barreaks in the Gillman struggle in the Singapore struggle to enter visitors, the island calls and visitors.
A weapon man who is not working in his thirty decades and a resting attitude, traveled around the world to find artists to participate in the show, which is the main focus of DO. “The show nearly collapsed in my mind completely in their last form. And when the artists came here to go to death death, they almost picked a place where I wanted to attend.” This is a sound basis, in some way, like a complete meeting between a man and the environment. The owner of the estate, collector from Athens, heard of the zeal and invested in the process. “We don’t want people just give us a space, but instead people feel affected,” says Akis.
One of the most touching activities in the exhibition is Socratis Socratous’ In a stolen gardenA series of leaves are joined by genuine gold, silver and brass, and thrown into the ground alongside other branches and hidden leaves. When you look, you almost see what kind of divine elevation, holy stream, is attacked by burnt or burial. It is also a confession of the natural beauty, the universe we can find at the sand of sand, or in broken branch.
“When we are in the” Melodic rhythm, contained in the conversation between humble humble works and those who come out of their color, such as Dirt It is Natalia Papadopoulou, a bright matching picture, which symbolizes a woman’s wife, half of the snake of the Oracle of Delpi.
Show Annual Program feels special to Akis. “Myself passed from the previous year, and this made me think about what’s left behind, the disposal and the same in the garden,” what it means. “So there is a personal measure that appreciates a wider display and the compound balance of memories.”
At that time, several islands away from Dedabelas Archipelago, a show of poems “in accordance of the sea for everywhere, even though it has small cultures deal with local arts festival and sports celebration.
Burcu Fikretoğlu and Gizem Naz Mbukum Naz “We set up the first show three years ago, just after the epidemic, as a temporary challenge,” Gizem tells a contributor. “We had knowledge to arrange Istanbul and other countries, but here it was different. The island is not like Micro-Perifery, tourism facility, and tourism infrastructure.
The exhibition attracts Turkish tourists from Bodrum, which is just a boring of thirty-one minutes; They stop to see the show instead of biting from a starter restaurant before making their way on the Island of Pattos.
A lot of pain is in comparison with their fishermen, leros accepting the Greek-Beauty people, who form Neoclassical houses for all road construction materials from Alexandria. At the end of the 1800s, during the Wibyan war against the Ottoman Empire, Italian Italians arrived, dreaming colonial power, sitting on the island. This is done with the increase in Fascism, forms the Portalago City from the beginning. Employed Lakki, the town looks like a logical dream – the Cinema, School, the Church, Church, and a few Houses dedicated to Navy officials and their support brought their families.
Today, some of these Ochecher buildings are abandoned, and some still work, like Primailing School of Lakki who live in the first part of the Perasma Exhibition. In the column courtyard, heaven has been built like a natural artificial art. Bulletin Bulletin boards and paper in the yard, Gülsün Karamustafa’s mother tongue .
Later in his history, the island opened a shelter, where patients were kept in dirty conditions until Antonellalta Pizzamiglio wrote to torture, led to Leros a black reputation. But it is better because of the past and the common pain that the artists involved William Kentridge and Briannno feel compelled to participate in the show. ROONS Practory Discrimination Raise Showers, not as a means of external use, but with a deep and continuous discussion.
NeoClassical Kandioglou Mansimision holding the other part of the exhibition itself is a symbol in the island. “The buildings here treat many memories; time does not go directly, but we are more cyclicals,” Burcu notes. “The same building was probably Italian rooms, a refugee camp, and different housing lives go down. It sounds like they are back.”
“Fold the sea into clothes that melt like salt” takes its name from the writer, placement and transition, prevents John Donne poem Valediction: Forbiding mourning Also raising a compass with one dried leg and one moves freely but remains connected, looking at sea relationships and island.
Opening with Korakhit Arunanondchai Video-four cellletic series of series Historically in a room full of people with funny names. It begins with the quiet rituals of her grandmother as they strive to deteriorate, weaving personal memory, political protest and spiritual cosmology in the specified, illegal tapestry. “It puts the tonder.” The crack and remembering flow in the show. “
Among the extremely serious paintings are editorial artists Joining Kakkenbos, which drew bright drawings at his month in Leros. His Queer identity and color selection includes a given place, and the color looks past the windows. Near, Lola Montes Schnabel’s Ceramics and drawings that arouse migration stories and losses. He remembers a boat ride from Kos when the sea was red stones with pilos jackets – a subtle indicator, meaningless in refugee problem. The blue and red palette connects to the unthinking relationship between the sea and the earth.
“While most artists did not report an island history directly and in a figurative, the feeling remains long,” said Gimememi. “Leros reorganized, you feel inside the situation.” And maybe this is the most precious study of the Mediterranean is required to give more noise in the art of existing arts, much more stimulating, local and respectful care.