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Review: ‘Twenty Coco Chanel’s Twenting Twenties’ Chanaco

The central sum of the exhibition is the invention of “Rivia” style and how it comes to stand up for young women. NMNM-Andrea Rossetti / HHLCOR Chico

No cachet deprivation around Chanel: recently in December 2024, the nature of the flu is announced by the heir of Karl Lagerfeld. Show “Les Années Folles de Coco Chanel” (“Coco Chanel’s bombed Twenty”) in National De Musée De Monaco 5 Checking Today’s Ogn work

Villa-upgrade – Museum is inserted on a rock on sea view. Inside, there are thirty and supporting clothes from White Silk Taffeta to produce black black black black straw hat with the Silk leather, all is designed by Gabrielle. This is paid by works by artists (between it by Pablo Picasso and Natalia Gontcharova) and Photographer (including man Ray and Madame D’ora). BOUNDERTER KESE VAN DONGEN was the keeping of the product silhouettes and said that he said he was “only able to paint women in Chanel’s clothes.” His oil in the designer picture from 1920 bad greetings at the top of the first station: Sky-Hugging Sky Blue Suit and white blouse is made of chunky’s beddown. The front and larger is natural, with his hands on its waist, his hat goes to the right and rules the background of silent horses.

Pablo Picasso, Les Baignupeseseses1918. Hille Surther, 27 × 22 cm. Musée National Piecasso, Paris – Vum. N ° MP61 © Direct Picassso, 2025 © GrandpalaAganim

Culatorkeeper Celia Benasconi, as he is his “body to build,” repeating the “test spirit and transdisciplinary relationships that was the order of the day.” The Creative Hybridity and the partner orbit has lasted longer than we thought. The case was in the area: In 1920, after Chanel met Clare Sergeh Diaghilev Diaghilev, the man after the Ruures ballets, whose influence was full of slate. In 1922, his “collection of Russia” was described in detail, including a woolwear that turned into a turned on the inside to display the decoration of electricity dress. Without high Aesthetics, Diaghev used a way under the borders between artistic forms. He hired Sonia Delaunay to design the clothes of Cloupatra; The Fashion House Casa Sonia, with his happy signature “Texts This animalFor the Chanel is designed for the colored shirts of traders in the wool in the wool in the beach BagersIncluding three women flashed the drum in the dark water and the lighting. The situation was written by Jean CocTeau and was conducted by Miaghilev’s Ballets Russers Dancers.

Madame D’ora, These créitric de Mode Coco ChanelCirca 1923. Photos Gélatino-Argentique, 21,8 X 16 cm. Museum Fresh Kunst Und Gerbe Hamburg

In addition to these such things, some of the theme is the establishment of the “Rivia” style and how it comes to stand for new wives. Bernascin wrote that he wished to explore “the body of a woman, as it dreamed, became pregnant and was released by Coco Chanel, during a major social change.” That freedom was found in the love of small, rich themes, but that has never been true. In the paddle Amy de La Faith: Chanel Resort, “observed:” The 1920s were ten years, Chanel, a leading fashion in the outer match, placed in his own. “Really, Chanel’s reductions are based on his illustration and the Jauunty and Equestrian Sports.” Since Bernisson said: “He was his beautiful community so much. “

Chanel, who was born in the district of Saumur, arrived from a humble category that did not offer horse-moving courses or tennis courses. He was known that he was “Racteur” directing the liar, and burns documents that can prove its lies. “He was found” in a coffee concert with a high-incololsiast, at ÉneenNe Balzan, near Campièée, and repeating it in his pit. Throughout his life, his image was not experienced: When sent by Marie Laurencin to deserve his image, his Pixie Dream Dersion Version shown to pay for work. .

Marie Laurencin, the image of the Dedemoiselle Chanel, in 1923. Hille Sur utile, 92 × 73 cm. The collection of Musée de l’orangerie, Paris – IV. N ° Rf 1963-54 © Foujita Foundation / AdaGP, Paris, 2025 © 20125

It was twenty-seven years old that Chanel began his trip as muddy on 21 Rue Cambonbon (flag address until today) in Paris. The characters wore his clothes, and its designs oppressed the attention. Building this success, opened the first time their names at Boutique in Deaville in 1912, launching women’s sports and based sports. His rich boyfriend at that time gave him money for effort, but he returned and was financially independent.

The common practice of fashionable drawings was not Chanel neglected: cut cloth and lay right in the model bodies. He drew up to Jersey, who was considered a poor “cloth but was powerful enough to empower the freedom of walking through leisure activities. Building from Paul Poliret, more, even a slightly diminished style,

Chanel opened another boutique in Hôtel Hermitimage Monte Carlo in 1914. Princire Costrinciance of Monaco (and) looks at a special place; At that time, the Opere Carlo’s house in Monte Carlo was one of the most important in Europe. Chanel stayed in the hotel luxury hotels in Monaco until 1928, when he sent a villa on the hill over ROQUEBRUN-CAP-MARTIN. (So ​​far, these three years, 15,000-foot “orchalow in a pink of the Lavender’s Lavender. This means a lot of covenant, because there are many things in French worldwide.”

Chanel’s reception in all Ballet, Arts, and the structure shows how he translated modern testing potential into a hosting form. NMNM-Andrea Rossetti / HHLCOR Chico

With colored lithographs, Caricalistists, Celles Vicor Goursat) has given the land of eating women and sharp hats, and the traveling men had large teeth and decaying hair. Jacques Henri Lartigued Storyboat Races and Seaplane aircraft is held there. The first Olympics of women are organized in Monaco between 1921 and 1923, kidnapped in photography of beautiful white and Enriettics where women jump and put team photography.

Chanel continued to be overlooked than the fashion state. In Deaville, he has been refused by the Caricalistismus of the above. Two predators include a client looking at a good Gabrielle to choose a hat, and one indicating the designer (meant to be HIGNAAR SOUNFER BOYLILE), a high-thigh thigh box. In April 1930, “the Chanel Parthe writer used the designer, declaring his patience” however, his “patience” and “contempt”.

The exhibition concludes with Chanel in the evening, as being followed by a succession of Marion.

Threaded all the time of the French French musician Chipé Robhobi. Twenty-rugged between 2023 and 2025, from prototypes released at Shoemaker Meeting in BroMseker and Namel Scalptures – worked as a few counter-silhouettes. Rome’s activities are caused by the result of 1920 years of age, but his work is unnecessarily from the exhibition that has been revealed itself. However, the resean with ideas with ideas with ideas to distinguish and analyze the woman’s form in the critical balance of Royer between Force and Fractil.

Sonia Delaunay, Tiscusu Smiltanée N ° 162, Coloris 7Paris, Créé En Aobt 1926, DePhesé Le 27 Déctob century 1926. Veloours In Imprimé, Conon. Mosée Des Tismpus Et Des Arts Décoratifs, Lyon – IV. N ° MT 36935.11 – Don de Sonia Delaunay, 1974. © Musée Des Testus Et Des Arts Décoratifs, Lyon. Sylvain Pretto © Pracuse SA

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