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By Chris SnellGrove | Being published
The greatest villain in star wars is not darth vader or kylo ren. No, if you ask most fans disillusioned with the Disney Era of the franchise, they will say that the Galaxy’s biggest enemy is far, far away Kathleen Kennedy. He is the president of Lucasfilm, and he oversaw devacles like the sequel trilogy, the cancellation of exciting films like Rogue squadronand shooting creative directors like Phil Lord and Christopher Miller.
However, The light Director Shakey Levy revealed that Kennedy eventually learned how to make a Star Wars movie for Star: By encouraging him to make any kind of movie he wanted rather than worrying about how it would affect the franchise’s Tangent Mythology.
In a recent interview with Vanity Fair, Levy revealed that he is one of the many directors who have expressed interest in making a Star Wars movie, prompting the director to ask questions like “What is a prequel?” and “What is succession?” The president of Lucasfilm replied, “whatever you want,” levy encouraged to simply “bring the world the way your movies are felt.”
On the sly, this could be just a little, old PR, with the director of the upcoming Star Wars Movie praising the highest public we gave him a chance. However, approval is built on hope, and I can’t help but think that Shawn Levy is right about this exchange with the President of Lucasfilm. If true, then the impossible has happened, and Kennedy has learned that the secret to making a Star Wars movie is to awaken their inner creativity instead of Committee by Committee.
While Kennedy had a lot of problems with the Star Wars Sequel Trilogy (and we’ll get around to those movies that didn’t fit well), I think the main problem with the Disney Era of Star Wars films can be traced back Solo: The Story of War Wars. Originally, that film was directed by Phil Lord and Christopher Miller, a director duo known for their comic looks. But when they try to do it – Order Funnily enough, Disney gave them the boot and brought in Ron Howard as director to make the safest possible version of Han Solo’s origin story.
For me, this was a direct evidence of something that will be a big problem with star wars under the supervision of stars under the direction of Kathleen Kennedy’s: The creative vision of the directors will always be divided by the Bland type of the house style of this well-known house style. Simply put, they didn’t want war jokes. They wanted a safe action/adventure movie that didn’t take any risks. Howard went on to deliver a perfectly usable film, of course; Most notably, King and Miller went on to write and produce Spider-Man movies for Sony, and those are considered some of the best movies ever. and High quality films are not made.
While many fans hated it The last jedi For various reasons, Kennedy showed some controversy when he brought on JJ Abrams Rise of Skywalkerwhere he quickly removed everything Johnson tried to set up. Johnson took (for better or for worse) one creative risk after another, while Abram was previously convinced Power awakens it was nothing more than a soft reboot of the first Star Wars movie. Without hesitation, he changed the tros to the soft beginning of Return of the jediComplete with Jedi facing off against Emperor Palpatine while Lando Calrissian in the Millennium Falcon led the fleet that unleashed the evil superweapons of the emperors.
Creative failure of Rise of Skywalker They are even worse when you consider that disney fired the original director Colin treviem, who had a very different idea for the movie. He had a story where Rey learned to accept the light side and the dark side, Rose beat the first order of Coruscant, and Finn led the storm revolution. The mature text of the movie Trevim (Duel of the Fates) Sound endlessly It’s better than what we got from JJ Abrams, and the main reason that Trevision had his unique vision of star wars while Abrama played things so safe that we didn’t have a new movie in this city in 2019.
Now, Shawn Levy said that Kathleen Kennedy didn’t set expectations for her The lightinstead you trust him to bring his vision to life and give the film his signature style. On paper, this seems very different from Kennedy who fired King and Miller and brought Abrams back Rise of Skywalker. I hope you have learned that fans just want a good movie instead of someone who has had all their personalities and personalities pulled in the name of safe movies.
Hopefully, the star ends up being as sweet – as fun as the levies Deadpool & Wolverine. By all accounts, that was a movie where the director and actors had the creative freedom to make exactly the kind of movie they wanted to see on the big screen. If Kathleen Kennedy ends up accepting this Marvel story for Disney’s other big franchise, we may be all the comments of Poe Dameron in a few years: somehow, Star Wars is back.
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