Categories: US News

Agnes GuD, Moma Patron and Philanthropist, dies in New York in 87

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Agnes GuD. (c) 2013 Timothy Greenfield-Sanders

There are many signs that the Artola Land has reached the end of the season, as well as the arts of Artron Artron and Benanthropist Agnes Gund on Friday, September 19 It is one specific. His death marks the generation of all generations committed, leaving the sector to deal with who will enter their area and support a program that is greater and unemployed.

GuT died at the age of 87, as reported by New York Times. The cause does not reveal, even though her daughter Catherine GUNDERSDER.

The endless artist of art and culture, was among our most influential major advances in the past. Like President Emeritian Museum of the Modern Museum, where they serve as President 11 years, played a revolutionary role in expanding the achievement and collection, helping directly to raise their most recent expansion.

You live in many boards, supporting generations of musicians and Champower art as a tool for education, equality and transformation. He reportedly issued two thirds of his property to cease the cultural life in New York and was made of El Museo del Barrio, young, kitchen and Moma PS1, where he saw this type.

His collection included the other largest names of previous years – musicians has not only supported himself but knew Himself. Umsebenzi wobuciko nguMark Rothko, Roy Lichtenstein, James Rosequasquist, Jasper Jonkemi, u-Agnes Mardin, u-Agnes Mardin, u-Agnes Mardin, u-Agnes Mardin, u-Agnes Mardin, u-Agnes

GuD had already offered forged jobs to Moma, who respected the exhibition “Studio Studio Visit: Selected gifts from Agnes GuD,” showing about 50 at 800 jobs. Overall, over 900 arts from his collection are gifted or promised to public institutions nationwide. As for the left, it is left to be seen which auction house will protect this trop item.

He also became a long-term ARTS Education and Social Justice. In 1977 he launched “Studio School,” a new system that puts professional artists at public schools in New York, tens of thousands of children. Heightened his ethnic influence by serving in the New York Council for ARTS and as chairperson of the New York City Commission.

2017 sold a loved one Roy Lichtenstein Of expertise In Hedge Fund Investor Steven Cohen for $ 165 million to introduce justice arts, a six-year fund that addresses the limitations of national arrest. The Sucasetted Fund in 2023 after distributing more than $ 127 million in the examples. “Agnes were not made,” Helena Haang, the Justice’s Project Director, told the seeee at the time, noticed the focus of the reproductive and your concerns.

On November 2023 he sold another Lichtenstein, directing more than $ 2 million in the fertility Fund, the support of the democracy, and Michigan reproductive freedom of all voters. “He meant that there was a little art of selling,” Huang noted, when I was asked if Guand would continue to distinguish the works of giving. “But he will continue to show everything he has.”

Who is Agnes GuD?

Agnes GuD was born on August 13, 1938 in Cleveland. His father, George GuD II, built good fortune, taking money and served as President of Cleveland Trust Company, a largest bank of Ohio. After his death in 1966, he benefited as a very important thing and bought a henry moore figure, to start what would grow into a collection of 2,000 jobs.

Its ART love began in childhood by traveling to the cleveland museum of art and deepened Missical Porter’s School in Parmington, Conn. “Showing how to view art,” he said Customs In magazine in 2010.

Gund graduates to the women’s Connecticut for women (now Connecticicut College) in 1960 to some extent. Three years later, Albrecht “Brec” Salfield, a private school teacher and heir of Salafield Publishing Company. The wedding ended in divorce, as did the second marriage to Daniel Shapiro, attorney, and teacher. He had four children and Saalfield-Catherine, David, Anna and Jessica – and Savior Gordon and Geoffrey Gund, Thouise Gund, and 12 grandchildren.

The passing of the Agnes GuD leaves a powerful space in the New York’s Art Ort and beyond, accommodating the question of who will forward his generation work and ensure the future of cultural.



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